Illegal Astronomy and Silicon Valley Stardust

Illegal Astronomy and Silicon Valley Stardust

WHAT

WHAT

WHAT

A research presentation in the form of a live performed video essay.

A research presentation in the form of a live performed video essay.

A research presentation in the form of a live performed video essay.

WHEN

WHEN

WHEN

Jun, 2025

Jun, 2025

Jun, 2025

About

About

About

This event, organised by Prof. Nina Wakeford, created an interesting constellation between We Are Supernova and curator Julia Marchands research on the Georgian Pavilion at the 60th Venice Biennale. Her pavilion and presentation took its starting point from the artwork 65 Maximiliana or the Illegal Practice of Astronomy, a 1964 collaboration between Georgian artist Ilia Zdanevich (Iliazd) and Max Ernst. Julia also presented the archives and history of Iliazds publishing house 41 Degrees, which promoted the futurist poetic language ZAUM. 

My presentation focused on my research on NASAs Stardust Archive, including behind-the-scenes details and production of my exhibition Tracer Object. The form of my presentation was a live reading of a video essay made from screencapture, something I developed during my PhD to intentionally blur the lines between live and recorded images. After our talks, the sociologist Michael Guggenheim provided a thoughtful response that sparked further conversation among the audience.

This event, organised by Prof. Nina Wakeford, created an interesting constellation between We Are Supernova and curator Julia Marchand’s research on the Georgian Pavilion at the 60th Venice Biennale. Her pavilion and presentation took its starting point from the artwork “65 Maximiliana or the Illegal Practice of Astronomy,” a 1964 collaboration between Georgian artist Ilia Zdanevich (Iliazd) and Max Ernst. Julia also presented the archives and history of Iliazd’s publishing house “41 Degrees,” which promoted the futurist poetic language ZAUM. 

My presentation focused on my research on NASA’s Stardust Archive, including behind-the-scenes details and production of my exhibition Tracer Object. The form of my presentation was a live reading of a video essay made from screencapture, something I developed during my PhD to intentionally blur the lines between live and recorded images. After our talks, the sociologist Michael Guggenheim provided a thoughtful response that sparked further conversation among the audience.

This event, organised by Prof. Nina Wakeford, created an interesting constellation between We Are Supernova and curator Julia Marchands research on the Georgian Pavilion at the 60th Venice Biennale. Her pavilion and presentation took its starting point from the artwork 65 Maximiliana or the Illegal Practice of Astronomy, a 1964 collaboration between Georgian artist Ilia Zdanevich (Iliazd) and Max Ernst. Julia also presented the archives and history of Iliazds publishing house 41 Degrees, which promoted the futurist poetic language ZAUM. 

My presentation focused on my research on NASAs Stardust Archive, including behind-the-scenes details and production of my exhibition Tracer Object. The form of my presentation was a live reading of a video essay made from screencapture, something I developed during my PhD to intentionally blur the lines between live and recorded images. After our talks, the sociologist Michael Guggenheim provided a thoughtful response that sparked further conversation among the audience.

THANKS TO

Prof. Nina Wakeford

Organiser

Curator Julia Marchand

Curator Julia Marchand

Presenter

Presenter

sociologist and STS scholar Dr. Michael Guggenheim

sociologist and STS scholar Dr. Michael Guggenheim

Response

Response

THANKS

Prof. Nina Wakeford

Organiser

Curator Julia Marchand

Presenter

sociologist and STS scholar Dr. Michael Guggenheim

Response